recent updates
2025
JUNE & JULY: I understudied all three female roles in Deceived at Bay Street Theater (dir. Sheryl Kaller).
MAY & JUNE: I played Cora in In Absentia, a new play by Naomi Goodheart at St. Lydia's. I've loved play since Naomi brought in the first few pages to a playwriting class we took at Yale. How cool to play the same role I'd read in class for in its New York premiere. I also directed a developmental reading of The Order of Chaos by Will Wegner and Charlie Romano at The Yale Club.
MARCH: A month of readings! I read stage directions for two plays in Manhattan Theatre Club's Ted Snowdon Series, How to Draw a Triangle by Jake Brasch (dir. Colm Summers) and Let's Ride by Alex Lin (dir. Laura Dupper). I also played Anna in a reading of My Borough by Marian Fontana at TheatreLab.
FEBRUARY: I celebrated the premiere of the web series I made with a New York screening of the first three episodes. All episodes of i'm so happy for you!!!!!! are now streaming on YouTube!
2024
OCTOBER & NOVEMBER: I played Hannah and other familiar wizards from a certain school of magic in Puffs at Cape Fear Regional Theater in Fayetteville, North Carolina.
NOVEMBER: I shot a scene in The Empty Room, a short film written and directed by Hersh Ellis, and became SAG eligible.
JULY & AUGUST: I was thrilled to be part of this year's The 24 Hour Plays: Nationals cohort. I met some brilliant early-career theater makers and ended up playing a hard-boiled space captain in a 15-minute musical by Kyu Park and Ruby Gibson, directed by Bibiana Torres.
JUNE: I played Mira in a sold-out run of Leave if No Response, a queer Jewish coming-of-age story by Abby Fisher, at The Tank, directed by Isabelle Chirls and Sarah Shapiro.
MARCH: I served as the dramaturg for the 29-hour reading of Trophy Boys by Emmanuelle Mattana at Open Jar Studios.
2023
OCTOBER: Played Marcus in The Fool Volk's Halloween production of Titus Andronicus at LaMaMa (dir. Harris Singer).
JULY: I spent a month at training in classical acting with BADA's Midsummer in Oxford program. Shakespeare, Oscar Wilde, and meadows of cows and deer. What more could a girl want?
MAY & JUNE: I was the directing observer on the world premiere of Double Helix by Madeline Myers at Bay Street Theater, directed by Scott Schwartz.
APRIL: I assisted Annette Jolles and Joel Fram on Symphony Space's gala, a concert of songs from Cabaret.
FEBRUARY: I was in a reading of A Window at the Moment with NYU's Verbatim Theater Lab.